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Neuware - Warum Heros Warum gerade Herakles Warum arbeiten mit ihm - Ich hatte ein paar unbequeme Ziele, als ich diese Vorlesung im Wintersemester 1975/76 hielt. Das >heroische Ringen

143 Seiten, Katalog zur Ausstellung im Walker Art Center, Minneapolis und im Kunstmuseum Wolfsburg. Redaktion der deutschen Ausgabe: Veit Görner und Margarete Heck, Übersetzung: Christian Quatmann. Mit zahlreichen teils farbigen Abbildungen, Kurzbiografien, Ausstellungsverzeichnissen, Bibliografie und Werkverzeichnis. Rückenenden gering beschabt, vordere untere rechte Ecke gering gestaucht. Insgesamt aber durchaus ordentliches und sauberes Exemplar Sprache: Deutsch Gewicht in Gramm: 453 Original-Broschur, 17x22cm, Zustand: 3

Published on the occasion of the 2001 exhibition Jörg Sasse: Arbeiten am Bild at the Kunsthalle Bremen. From the publisher: "German photographer and Becher graduate Jörg Sasse initially documented traces of bygone times in domestic environments, then pioneered electronic painting turning photographs into colorful pixel paintings and has now reversed his approach turning classic paintings into photographic images - a prank that might secure him a place in the history of contemporary art. "Picture Works" covers the entire range of Sasse's twenty-year career. Short German texts."

Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Architektur. Arbeiten 1933-1942. Hardcover, with dustwrapper, 325 x 250 mm, 183 pp, very fine condition, illustrations in b/w 0

Jorinde Voigt (born 1977) has developed a complex vocabulary of lines, diagrams, symbols and handwritten notes, which represent abstract phenomena such as space, time, the earth's rotation or velocity. This book features her new project, Song of the Earth, a monumental drawing cycle set out in eight compositions, inspired by Mahler's song cycle Das Lied von der Erde (1908–09), synthesizing visual art and music.

Facsimiles in slipcase. Case is worn & marked, outer tips of some individual sheets are a little crinkled.

Hardcover without dustjacket as issued, 112 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra

199 S. mit zahlr. Abb. Gutes Exemplar. Sprache: Deutsch

Emily Jacir is an artist who lives in between New York and Ramallah. It's no surprise that a central motif in her work is the theme of voluntary and coerced movement between places and cultures. The projects she has undertaken over the past five years have pungently, poignantly crossed the divides between art, life, politics and culture over and over again. In “Where We Come From,” Jacir, armed with an American passport, crossed borders in the West Bank and the Gaza Strip fulfilling everyday requests for fellow Palestinians unable to move so freely. In “Sexy Semite,” she placed ads in the Village Voice, a “Hot Palestinian Semite” seeking “Jewish soul mate” and the like. And in “Memorial to 418 Palestinian Villages which were Destroyed, Depopulated and Occupied by Israel in 1948,” Jacir installed a refugee tent in her studio in Lower Manhattan and invited friends and strangers to help her embroider the village names. Belongings is the first monograph published on her work.

Book is in NEW condition. 2.38

Yayoi Kusama is recognized as one of Japan's best-known, most versatile and internationally successful artists. In the mid-1960s her work was mentioned in the same breath as Minimal art, monochrome painting, and the new trends in Europe, and she was also seen as a forerunner of Pop art. Noted for her soft sculptures and psychedelic installations, Kusama explores themes of love, infinity and obsession throughout her work, from her net-like pattern paintings begun in 1959, to her Pop-inspired love happenings in the 1960s, to installations in which every surface has been compulsively covered in polka-dots, mirrors or stuffed phallus-like protrusions.

German language. 9.37x6.65x0.79 inches. In Stock.

This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean and free of marks. Text in GERMAN. This monograph on Josef Plecnik concentrates on the first period of his architectural work in Vienna from 1896 to 1914. Illustrated mostly in black & white, some color. 10" high X 9" wide, 207 pages. Heavy book foreign postage will be extra. This book will be securely wrapped and shipped with tracking.

»I don’t set rules«An automatic lawnmower rings a bell, a balloon leaves a trace in the sand, a boat moves on barrels. Everything is on the move with Roman Signer (* 1938 in Appenzell)—randomly, one might assume, as insinuated by his statement? Not at all; the artist rather perceives sculpture as a processual description of a condition, and thus expands the usual three dimensions of objects by a fourth: time. Hence his works are also described as “time sculptures”. He often uses explosives, water or movement as a resource, so as to be able to direct the experience of his artworks toward the experience of physical violence and speed. Such a method of working naturally generates a lot of interest from the audience, because it is quite reminiscent of those exciting and crackling archaic forces that seem to inhabit this anarcho-lab. But above all we love that violent roar and crack. Roman Signer's work has actually been exhibited internationally for quite a while, for instance at the 1987 documenta, the sculpture projects in Münster in 1997, and in Hannover in 2000 at the Expo, as well as most recently in 2010 at Herrenhausen Gardens. The exhibition at Kestnergesellschaft thus shows a very well-known artist with his latest works that, in this volume accompanying a remarkable exhibition, delight us once again with the poetic quality of things and the grotesque aspects of everyday life.Exhibition Kestnergesellschaft Hanover, 23/8–4/11/2018  

A full color oversize book of German cartoons that satirize just about everything. Text is in German but there is little difficulty following the meaning. Slick pictorial cover with no dust jacket. Condition is fine. Heavy book will require additonal postage for priority or international shipment.

Hardcover, no dust jacket. From the personal library of E. P. Sanders, with his blindstamped library stamp inside. Badly stained boards, around bottom edge. Musty, with a faint smell of old cigar smoke. 185 pages. 185 pp.

Von Barmen nach Basel: Der Band enthalt die Vortrage und Aufsatze Karl Barths aus seinen letzten beiden Jahren in Bonn bis zu seiner Entlassung durch die nationalsozialistischen Machthaber. Die Texte aus der Zeit der entstehenden Bekennenden Kirche und der Bekenntnissynoden von Barmen und Dahlem erlauben genauere Einsichten in die Strukturen dieser fruhen Phase des Kirchenkampfs sowie in Barths Theologie und sein Wirken in dieser Zeit. Sie widerspiegeln vor allem sein Bemuhen um den Aufbau einer bekennenden Opposition gegen das Kirchenregiment der Deutschen Christen, seine Rolle vor, auf und nach der Reichsbekenntnissynode von Barmen und sein aus seiner eigenen Perspektive immer vergeblicheres Bemuhen, die Bekennende Kirche auf einem theologisch verantwortbaren Kurs zu halten, zu dem auch die scharfe Abgrenzung von seinem Weggefahrten Emil Brunner ('Nein! Antwort an Emil Brunner', 1934) gehorte.

Illustrated throughout. 72p. Catalog for 1989 exhibition. Photograph of Scully by Robert Mapplethorpe (1988). Foreword by Catherine Lampert. "Sean Scully and Modernist Painting: The Constructive Image" by Carter Ratclipp. Plates. Biographical information. Sean Scully (b. 1945) is an Irish-born American-based painter and printmaker who has twice been named a Turner Prize nominee. Measures 8.75x10.75 inches.

In seinem Spätwerk nach 1945 schuf der Künstler Hans Arp (1886?1966) einige bemerkenswerte Werke, die im Zusammenhang mit architektonischen Vorhaben stehen. So gestaltete er etwa Wandreliefs für das von Walter Gropius entworfene Harvard Graduate Center und das Pariser UNESCO-Gebäude von Marcel Breuer, Pier Luigi Nervi und Bernard Zehrfuss. Hinzu kommen monumentale Skulpturen, die in einer engen Zusammenarbeit mit dem Basler Architekten Hermann Baur entstanden: Bekanntestes Beispiel hierfür ist die Bausteinsäule im Hof der Allgemeinen Gewerbeschule in Basel. Bis anhin fand Hans Arps architekturbezogenes Werk kaum Beachtung; diese Lücke schliesst nun dieses erste, reich illustrierte Buch zum Thema, das im Zusammenhang mit einer Ausstellung im Kunstmuseum Appenzell erscheint. Mehr als ein Dutzend Arbeiten werden darin ausführlich mit Bildern und Texten vorgestellt. Namhafte Autorinnen und Autoren beleuchten in wissenschaftlichen Essays den weiteren Kontext dieses spezifischen Werks und vertiefen besondere Aspekte einzelner Arbeiten.